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Chapter 21 / Into the 21st Century
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It’s 2009, more than ten years on from
where we left the Uri Geller story. The world has
changed fundamentally in a dozen ways, from the negative
– 9/11 and the subsequent polarisation of the non-Islamic
and the Islamic worlds - to the astonishing – the
rise of China to become the world’s second industrial
power - to the progressive – the modernising changes
in Russia and the former Soviet bloc. The Internet has grown
from being ‘merely’ the most significant invention
since the printing press to what it is today – the
most important social and cultural development ever.
And with all these seismic changes in the
world, one debate at least rages exactly as it did 10, 20
and, indeed, 40 years ago; the question of what Uri Geller
is and what it is that he does. There has been no resolution,
no new consensus, no great shifting of thought. The Uri
issue and the whole area of the paranormal remains not a
stalemate, but a continuing fevered argument – a bad-tempered
slanging match much of the time – between ‘believers’
and sceptics. Indeed with the Internet now encompassing
sites such as YouTube and RuTube, which would have been
inconceivable a decade ago, the heat under the Uri Geller
debate has been turned up considerably.
All this might have caused a man other than
Uri Geller, who is now in his sixties (albeit looking like
a man in his forties), to shrug, retreat (perhaps a little
defeated) from the spotlight and retire home to Israel with
his millions. Yet the continuing controversy surrounding
his powers along with the quantum leaps in communication
technology, which for the first time have created what can
justifiably be called a global village, have caused the
opposite effect, both in Uri and in a new public which is
as entranced by him as we were 40 years ago.
Extraordinarily, perhaps, Uri is bigger,
bossier – and busier – than he has been at any
previous moment in his life. The significant difference
between Uri’s public now and when he was in his twenties
is that it is much, much bigger. He may not be quite the
rock star type of celebrity he was when he was inconceivably
famous in Israel, the UK, the US and western Europe. But
today, his calmer, more measured celebrity extends into
Russia, the far east and the entire world aside from the
occasional backwater; and one imagines that even in a North
Korea or an obscure African republic, there are probably
still those for whom the name Uri Geller and the iconic
image of the bent spoon have some meaning.
So nearly 60 years since his mother
first scolded him for breaking his soup spoon in the flat
at 13 Betzalel Yaffe in Tel Aviv, he still travels the world,
conquering most of what he sees, armed with the same five
abilities he had as a child –bending metal, altering
watches and clocks, reading minds, remote viewing and confusing
magnetic compasses. He still denies he is a conventional
magician, even though he has subtly ‘rebranded’
himself a little, as we will discuss later in this chapter.
And, most significantly, he is still measurably as or more
famous as all the other great names amongst magicians, psychics
and mentalists. The great god Google, by which we gauge
fame and reputation today confirms that more significant
than spoons, Uri Geller has succeeded in bending the global
public’s minds.
The Google statistics are staggering.
At the time of writing, “Uri Geller” as a precise
phrase, scored 1.75m hits. The most famous magician/illusionist
in history, the late Harry Houdini (who came coincidentally
from Hungarian roots just like Uri’s) scored 5.4m.
David Copperfield and David Blaine currently America’s
most famous illusionist and mentalist respectively, made
3.8m each; however, input “David Copperfield”
and “magic”, and that figure shrinks to 668,000,
so it can be assumed that a substantial proportion of the
3.8m hits referred to Charles Dickens’ David Copperfield.
Criss Angel, the most exposed and fashionable mentalist
in the US and Uri’s co-host in the 2007 NBC TV hit
series, Phenomenon, scored 3.72m. So Uri at almost
62 years of age, was, realistically, somewhere in fame terms
still up there between Houdini, David Copperfield, Criss
Angel and David Blaine. By contrast, Derren Brown, the British
mentalist currently becoming big in America had just over
1m hits; and James Randi, the magician who has sought fame
for nearly 40 years as Uri’s ‘debunker’
scored 799,000.
Just as Uri’s fame and controversy,
on which he clearly thrives, have stayed constant and even
grown, his personal and family life have remained appealingly
stable. He, Hanna and Shipi still live on the same grand
estate by the River Thames west of London. He still walks
his dog along the Thames banks every day, except his dog,
a rescued former racing greyhound named Barney, is new –Joker,
his oldest dog, Chico the Chihuahua and his old greyhound
have all died; he keeps his dogs’ ashes in a jar in
the house. And Uri’s mother, Margaret, died aged 91
on July 24th 2005. Having left Israel in the 1970s, she
had never been back.
‘She knew she was at the end of
her life,’ Uri says. ‘She wasn’t sick.
She didn’t want to go to sleep because she was afraid
of not waking up. I would go into her bedroom and speak
to her every night. Then one night she folded her glasses
nicely the way she always did, and I knew that was the last
time she would do it. I found her dead in the morning. I
knew as I placed my hand to her door that my mother had
passed and that when I stepped into her room I would find,
not her, but only her body. It was not the silence that
told me — it was the emptiness. Hanna had been in
to see her and thought she was still asleep, so she left
her. My mum told me all her life she wanted to die in her
sleep and she achieved that. I got permission to bury
her in the local church from the rabbi, and he told me that
it doesn’t matter where they bury her – the
minute they dig her grave, it becomes, Jewish. So now she’s
right next door to us. And we’ve left everything in
her room exactly the way it is.’
Uri wrote a moving tribute to his mother on
his Website. ‘My mother was in her 92nd year, and
she packed three or four lifetimes into that century,’
part of it read. ‘Her capacity for work was inspirational:
whenever I’ve felt tired, whenever I’ve wanted
to skip a show or dodge a signing or miss a deadline, I
have thought of my mother and how she would come home from
her day job as a waitress, pick up a needle and slave into
the night as a seamstress.
‘I’ve been praying for my
father’s memory too, these past days, and I believe
that he has been reunited with my mother now, but I cannot
gloss over the fact that it was her earnings, not his, that
put food on my plate when I was growing up.
‘My mother fought for me when
we lived in Israel, a country that was as young as I was.
She fought for me even before I was born, for my father
wanted her to have me aborted. And I vowed, as soon as I
was old enough to see what she was doing for me, that one
day I would look after her, just as devotedly.
‘By 1969, I was able to start
keeping that vow — though the roll of cash in my pocket
was my pay as a male model, not a paranormalist. My mother
thought it was fantastic to see her son’s picture
in magazines, and she didn’t seem to mind that most
of the shots featured me in nothing more than underwear.
‘In 1972, as I headed out to the States,
I was able to purchase an apartment for her, but the toughest
thing about my rocket trip to fame was knowing that Muti,
my name for my mother, was back in Israel. By 1975 I could
stand it no longer: I picked up the phone and told her,
“You have to live with us in New York.”
‘From then on, whether we were in Connecticut,
in a simple house at the foot of Mt Fuji in Japan, in a
luxurious London flat or in the Thames-side home that we
bought 20 years ago, Muti has always been with us. She’s
seen every day of her grandchildren’s lives, from
the moment they were born, and that’s a blessing that
any doting grandparent must treasure above all others.
‘She was born in Berlin before the outbreak
of World War 1, the middle girl of three sisters named Freud.
Sigmund the infamous psychiatrist was a relative. When Margaret
was one year old, her parents took her, Violet and Rose
to Budapest, Hungary, where the family had a furniture and
kitchenware business.
‘My parents met in Hungary and spent
their courtship walking beside Lake Balaton, outside the
city, or rowing on it. My mother liked to tell how her boat
capsized one afternoon and she was trapped beneath the hull
— my father dived to save her, pulling her leg free
and dragging her to the surface. Whatever else she said
about him, and she said a lot, Muti always knew that the
man she married had the courage of a lion.
‘Decades later, when my father remarried,
Muti befriended his new wife, a woman named Eva. They were
kindred souls, and right up to her death Muti sent regular
packages to Eva in Budapest: if I ever forgot to send Eva’s
jam and aspirins, I’d earn myself a real ticking-off.
‘It’s so strange to think that
she’ll never send another pot of strawberry preserve
or blackcurrant jelly to Eva, or open the parcel that came
by return post, a bundle of paperback romances. It’s
these details that remind us when someone is gone: the big
fact of death is too huge to understand, so we focus on
the minutiae.
‘My mother did not fear death. I told
her I knew beyond doubt that our spirits go on, and she
was always content to trust what I told her. I felt sometimes
that we were a pair of trapeze artists in a circus act,
our movements synchronised so that we swung in perfect harmony
even when we were furthest apart, always ready to leap and
catch and hold each other safely. My mother is in God’s
hands now. But I sense the lack of her hands on my wrists,
and it’s a frightening feeling.’
There already seem to be indications
that Margaret Geller is continuing as a presence in her
son and grandchildren’s life. Uri has noticed of late
that solitary birds keep flying in to rooms where he is.
He was starting to think that the birds might be kind of
messengers from his mother, and this was confirmed for him
recently when he went on a sentimental visit to the old
family apartment on Betzalel Yaffe as part of an Israeli
TV documentary, Being Uri Geller and, again, a
bird – a white dove in this case - flew into the apartment
from outside. He is now pretty well convinced that the birds
are his mother’s way of saying, ‘Hi’ and
that she is still looking after the family.
Another, even stranger, incident happened
shortly after Margaret died.
‘I’d never seen a ghost,’ says Uri. ‘I’d
heard ghosts, but always wondered what it would be like
to actually see one. So we were looking for someone
to make the tombstone for my mother’s grave and our
local rabbi gave me an address for a stonemason nearby in
Maidenhead. He gets his marble from Italy, but before we
took him on, he called me up and said he’d come round
with some sample slabs of marble.’
‘So he came on a Saturday and
rang the bell on the main gate to the house. And for some
reason, instead of opening the gate, I said to him on the
intercom, “I’m coming out to see you.”
I have no idea why I did that. While I was walking up the
path I wondered to myself why I hadn’t opened the
gate for him.
And through the big gate in his little van, I could see
the stonemason’s dog sitting next to him. And the
minute I saw the dog, I thought to myself, I’m so
glad, I’m definitely going to get this man to do my
mother’s tombstone because he’s a dog
lover. Anyone who carries a dog, especially a mongrel, a
regular street dog with him, has to be a good person.’
‘So I’m getting nearer and I thought
I have to go and pat the dog first. So I went up to the
van, and said “Hi” to him through the open window
and then opened the door to pat the dog. But there was no
dog. I said, “Where’s the dog?”. I thought
maybe it had gone into the back of the van, although I could
see, there was no way he could have just disappeared back
there. And where the dog should have been on the front seat,
all there was were these five slabs of marble samples.’
‘So he got out of the van and
said, “Mr Geller, what do you mean, where’s
the dog?” And I said, “Come on, where is your
dog, I just saw it?” And he said, “Mr Geller,
my dog died five months ago and I used to carry him with
me all the time on that seat.” And he freaked out.
Now I don’t see things, I don’t have LSD in
the morning. But I saw the dog clearly. It was very moving
and even though a lot of weird stuff has happened to me
over the years, this was a new experience for me. And it
made me more convinced than ever that we really do live
on in some form after our death an no doubt my mother made
this happen.’
Daniel Geller, meanwhile, who was a schoolboy
when we last encountered him, has qualified and practised
law in London, having studied the subject first at the London
School of Economics and Political Science, the famous LSE,
and later at specialist law school in London. Additionally,
Daniel studied French law in Strasbourg. Daniel bought his
own apartment on Westminster Bridge Road in London, in a
building originally used by MI5, the British internal security
service, and having practised for some years in a prestigious
attorneys’ chambers, at the time of writing was in
the process of moving to Los Angeles, and was planning to
qualify as a US attorney and live in California.
The year after he qualified in England, I
caught up with Daniel to interview him about his growing
and active interest at the time in British politics, especially
the Conservative Party, known colloquially as the Tories.
The subsequent interview, published by the influential Independent
newspaper, was headlined, ‘Daniel Geller: Abducted...
by the Tories’ – a reference, of course, to
Uri’s early, and ever controversial, UFO experiences
back in Israel as a child.
We had met come to discuss politics – and
his father, of course - in a London wine bar popular with
his fellow lawyers. Daniel explained that
he is economically to the right of centre, but socially
to the left. In the then recent American election - he was
born in the US and holds dual citizenship - he had supported
John Kerry, the Democratic candidate against George W. Bush.
Displaying a bit of his father’s legendary
courage and outspokenness, Daniel railed against Bush: ‘Bush’s
natural law politics, where everything supposedly comes
from God and morality, are utterly bizarre,’ he told
me. ‘I don't like his position on homosexuality and
a lot of other issues. He is a very weird, didactic kind
of leader. The whole thing stinks.’
‘I began to feel this calling to politics
last summer, he explained. ‘I wanted to enter the
arena; to do something; to contribute. So I joined my local
Conservative party. ‘Politics is my passion. Politics
is the relationship between the state, communities and individuals.
I love the theoretical and the practical. And the characters
fascinate me.’
But didn’t Daniel find local politicians
a bit dull in comparison to the kind of people he had been
used to visiting his home since he could remember, people
as diverse as Michael Jackson, David Blaine, Elton John,
Geri Halliwell, Sarah Ferguson (The Queen’s daughter-in-law,
the Duchess of York, and the former Beatle, George Harrison?
‘Look, because of who my father is,
I’ve met fascinating people I wouldn’t otherwise
have met,’ Daniel said. ‘But I get more excited
about Sir Teddy Taylor [a minor Conservative politician]
visiting for tea than Michael Jackson. Michael Jackson doesn’t
do anything for me. I’ve met Margaret Thatcher, for
heavens sake.’
It had been a chance meeting the previous
summer with Thatcher that impelled Daniel to come out politically.
‘I introduced myself to her and said I’d welcome
a brief chat. She was ever so accommodating. She gave me
some choice words which have stuck in my mind: keep studying;
imbibe information; keep learning. I found this inspirational.
I was really moved by having the chance to talk to her.’
Was there a chance that having Uri Geller
as a dad could adversely affect his political career? ‘Why
should it? he demanded. ‘John Major [the Conservative
prime minister after Thatcher] had a father who was a trapeze
artist and it didn’t affect him especially.’
And had Daniel after all, inherited any of
Uri’s extraordinary abilities?
‘When I was about seven,’ he said, ‘I
developed an inexplicable ability to tell you the day of
the week for any date in the future. I didn’t have
to think about it - the day just came out. I lost that ability
after a few months. But I’ve never delved into that.
I’m a very grounded individual. I want the law and
the local Conservative Party to be my life, not being abducted
by aliens.’
Natalie Geller has taken a quite different,
but equally interesting, path for the first part of her
journey in life. ‘Natalie went to drama school,’
says Uri, ‘then one day, she announced she was packing
up and going to LA. She said, “If I don’t do
it, I’ll never know. I know there are another million
British girls waiting there for the dream to come true.”
And I said fine, so she rented a little apartment and worked
at some friends’ movie company, in charge of choosing
independent films to distribute. And now she has moved into
an apartment in Beverly Hills and is very happy there, especially
now that Daniel has also moved to LA.’ Natalie Geller
has performed in shows alongside her father in Israel and
in Germany.
‘They never look for help,’ Uri
says of his children. ‘If I buy them a gift, I have
to force them to accept it. They are amazing characters.
I took Daniel to Brazil when he was 14 to show him how poor
people live in the favelas and have no money for
food. Daniel told his younger sister what he had seen on
that trip there and I think that was the moment that they
both realised how privileged they were. ‘I taught
them,’ Uri says, ‘to adopt an attitude of gratitude.’
In his public life, Uri’s always
exciting and frequently surreal life continued at the same
fever pitch as it was decades earlier. His most famous association,
of course, has been with Michael Jackson. It was through
Uri that Michael met his guru for many years, the former
Oxford University rabbi Shmuley Boteach; with Shmuley, now
a famous media personality back home in the States, Uri
wrote a well-received book in 2001, Confessions of a
Rabbi and Psychic. Uri and Shmuley remain firm friends,
but both of their relationships with Michael ended sadly.
In Shmuley’s case, it fell foul of the court accusations
made against Michael that he had abused children. Although
Michael was found innocent, the relationship had by then
fractured. The Uri – Michael friendship, went even
more wrong – and this after Michael had served as
best man at Uri’s much publicised marriage vow renewal
at his home. Shmuley was the officiating rabbi at the high-profile
occasion.
Uri recalls: ‘I met Michael Jackson
through Mohamed Al Fayed [the owner of the Harrods store
in London and father of Dodi Al Fayed, Princess Diana’s
boyfriend, with whom she died in 1997.] I was at Mohamed’s
home and Michael called him. So he said, “Hey, Michael,
Uri Geller is sitting next to me.” And I heard a shriek
over the phone, “Uri Geller! Wow, I’ve always
wanted to meet him.” And so then on one of my trips
to New York, I got to meet him. We got together, he came
here, and everything went very well for a couple of years.’
Did Uri’s psychic abilities ever
give him any insight into what Michael really did or did
not do with the children who ended up his accusers? ‘I
never believed that he was a paedophile,’ says Uri
firmly. ‘One day, I was with Michael in a studio in
New York and he was working on the album Invincible,
the one I did a design for that appeared inside the CD cover.
And he suddenly said to me, “Uri, I can’t stop
eating junk food. Can you hypnotise this out of me?”
And I said, “Yes, I’m a good hypnotist.”
In Israel, in the late 60s and early 70s, I had to learn
hypnotism to widen my repertoire, because it was very narrow.’
‘So I said to Michael, sure let me hypnotise
you. And then in the darkened studio of The Hit Factory,
I put him in a deep trance. And then I did something highly
unethical. Instead of telling him not to eat junk food,
this thought came into my mind - that I now had the chance
to find out the truth. Now at that time, as everyone remembers,
Michael had paid the parents of a boy called Jordy Chandler
$18m allegedly for their silence. Nobody understood
why. Many people thought he was guilty and that’s
why he’d ‘paid him off’.’
‘Now Michael was a great subject to
hypnotise. So I took my chance, and this was very unethical,
I admit, I asked him, “Michael, tell me did you ever
touch a child in an inappropriate manner?” And he,
hearing this question immediately, without any hesitation
at all, said, “No, I would never do that.” So
then I asked him, “Well, why did you pay off Jordy
Chandler?” And he just said, “I couldn’t
take it any more. I’d had enough.” And then
it hit me, and I’d always believed that he was innocent,
that this man may be naïve, but he really is innocent.
It was like a private validation and its why when Michael
went to court years later, they wanted me as a witness.
So I took him out of the hypnosis and told him to forget
everything. But then I made the devastating mistake of introducing
him to Martin Bashir [the British TV interviewer who drew
from Michael the fatally embarrassing admissions and film
footage which effectively ended Michael’s career.]
‘Michael was in London,’ says
Uri, ‘and Bashir called me up and begged me to get
him to Michael Jackson. And he sat here on my sofa pulling
out from his wallet this crumpled-up letter from Princess
Diana that she’d written him telling him how wonderful
the documentary he had made about her was. Then Bashir started
talking about his children and how he needed to get one
of them to hospital. So he seemed to be a regular nice family
man, I trusted him, I gave him the introduction to Michael.
Then Michael made the terrible mistake of signing an agreement
without asking any of his advisors. He signed his life away,
almost literally. Then he continued making mistakes. Holding
that boy’s hand in the documentary. Then saying he’d
never had more than two plastic surgeries, It could have
been a great documentary for him, but it was a catastrophe.’
Uri and Shipi started to realise that the introduction
had been a horrible misjudgement when one of Michael’s
assistants called from California asking for Bashir’s
home phone number. As Shipi explains: ‘They
realised the explosive stuff Bashir had taped and wanted
to talk to him. But obviously, once Bashir had got what
he wanted, he vanished, completely disappeared. Then Michael
sent someone from the States, who came to my house and then
hung around in London for a couple of days on behalf of
Michael to try to get a look at the documentary. But Granada
[the British TV company] wouldn’t let him see anything.’
‘Sadly the situation turned Michael off
me. I don’t blame him. Later, it was reported that
he had allegedly made some anti-Semitic comments on a radio
show and from then on, I tried to wash Michael Jackson out
of my mind. But when Michael came to London to promote THIS
IS IT, he told Matt Fiddes his UK based friend and bodyguard
that he wanted to talk to me and make up. Unfortunately,
I was travelling and that fateful connection was never made,
and he died tragically soon after that. I did have a unique
opportunity though, to create a positive documentary about
Michael based on his visits to England with footage which
I filmed myself. It was televised by ITV UK's most popular
TV channel, it was titled "My Friend Michael Jackson
: Uri's Story. The programme was broadcast in many countries
around the world including the American TV guide channel.
I felt a spiritual satisfaction that I could contribute
with an enlightening film about the life of this legend,
this Icon, this phenomenon that is Michael Jackson. I have
also written a tribute to Michael which can be read on my
website, here.’
Another famous Uri association in the
past few years has been with David Blaine, who, as explained
in Chapter 16, came over to England from the US specially
to meet Uri when he was just starting to become a cult figure
in the States. This friendship, too, foundered a few years
on. ‘We were really good friends,’ says Uri.
‘When he did his famous stunt in London spending weeks
in a glass box suspended high up from a construction crane
was in the glass box, I came almost every day to see him
and support him.’
‘But I started getting the feeling that
he thought I was doing it for my own publicity. Maybe he
was swayed by other people, but he said something quite
rude about me later and I was quite surprise, so our relationship
has cooled off. Here’s a man who came to my wedding
and whom I’ve supported a lot, I was really dismayed.
I’ve emailed him a couple of times since, but he’s
not replied.’
Blaine did, nonetheless, before this cooling
in the relationship, make some very supportive comments
about Uri in Being Uri Geller. His remarks were
especially surprising – and generous - as he is one
of the magicians who is careful not to claim supernatural
abilities and has never previously been drawn on the big
question of whether Uri Geller is a magician or a genuine
paranormalist. Indeed, knowing the vicious reaction of the
majority of magicians when anyone within their ranks flirts
with the supernatural, his comments were both brave and
dangerous. For those of us outside the argument, however,
the feeling can only be that if Uri managed to impress Blaine
as much as he clearly did, then he must either be an unprecedentedly
brilliant conjuror – or the real deal.
‘As a kid,’ Blaine says
in the documentary, ‘I read every book on him. This
was one of the people I really looked up to. It was him,
Klaus Kinski and Orson Welles, a select group of people.
So I got Uri Geller’s number and I called him and
said, “I want to come and meet you.” Uri said
excitedly, “Jump on a plane right now.’
‘So I flew out immediately. But he said,
“One thing. When you’re on the plane, I want
you to draw anything that you want and fold it up small
and put it in your pocket, and don’t let anybody see
it, not even on the airplane.” So we get to his house,
and the first thing he does, before we even really sit down
and eat anything, he says, “Come here.” He takes
a piece of paper and a pen, and I have my hand on this thing
to make sure nothing can happen to it. And he draws, and
I start to notice it looks exactly like what I drew. I pull
my paper out and open it up and not only are they identical,
but he folds my paper in half across the middle of the drawing,
puts it against his and every line matches perfectly. And
that’s when I knew that this guy is onto some serious
stuff.’
Undeterred by the occasional problems he has
with his celebrity connections, Uri continues to expand
his circle of mindblowingly famous friends. ‘I met
Lewis Hamilton [the young British Formula 1 motor racing
ace] in the street not long ago,’ says Uri. We were
driving down a street in London and there he was, with Puff
Daddy as it happens. So I got out of the car, said hello
and bent a spoon for him. And Hamilton gave me his mobile
number. So now, before a race I send him positive messages
and energy and he sometimes texts me back to thank me. When
I met Hamilton i told him that if you can go there with
your mind, you can go there with your body, and he proved
that in Brazil by becoming the world champion. ’
Another inimitable Uri Geller characteristic
that has continued unabated into his sixties is his ability
– unique in the world so far as I know – to
mix his spooky paranormal world with his crazy showbusiness
world – and then to mix both with the serious world
of politics and international relations. Extraordinary though
it may seem, in 2005, Uri Geller played a key role –
and one publicly acknowledged by the other participants
- in cementing in Geneva a working agreement between the
Israeli and Palestinian versions of the International Red
Cross, the Magen David Adom (Red Star of David)
and the Palestine Red Crescent Society respectively.
Under the agreement, both emergency services can now operate
in one another’s territory under the newly created,
politically and culturally neutral symbol known as the Red
Crystal – the crystal part being derived (perhaps
supernaturally, Uri jokes) from one of his beloved quartz
crystals, which he always carries in his pockets. Additionally,
with the new arrangement in place including a fast track
access to hospital for injured Palestinians and pregnant
women, the Magen David Adom was fully accepted
into the International Red Cross as a full member, rather
than as a mere observer, as had been the case since the
foundation of the State of Israel.
‘Dr Noam Yifrach, head of Magen David
Adom had for years been trying to get Israel into the International
Red Cross,’ Uri recalls of the extraordinary period
leading up to the deal in November 2005. ‘Yifrach
had one day watched the Reputations documentary
about me on BBC television. And when he saw that during
the 1987 arms talks between the US and the Soviet Union
in Geneva, I had been brought in by Senator Claiborne Pell,
then chairman of the Senate Foreign Relations Committee,
to try to bombard and influence the mind of Yuli Vorontsov,
the head of the Soviet negotiating team, he said, “Wow,
if Uri could do that, maybe we could use his talent to get
us into the Red Cross?”’
‘So Yifrach called me up and said he
wanted to talk to me. I assumed he was looking for a donation,
but he said, “No we don’t want any money from
you. We want something quite different and quite strange.”
So I was intrigued and invited him to my home. He came with
his deputy and said, “Look, Uri, we are negotiating
with the Palestinians, but we are at a point where I think
we need your help.” So I said, “Yes, I’m
sure I can help, but you’ve got to make me legally
something in your organisation.” So they activated
their lawyers and made me legally, the president of the
Friends of Magen David Adom. With that done, we
flew to the State Department in Washington, we went to Korea,
to Geneva, to Jerusalem and gradually I started to be introduced
to the Palestinian officials in Ramallah, especially to
the head of the Red Crescent, Younis Al-Khatib.’
‘So soon, the next round in the negotiations
were beginning, all orchestrated by the International Red
Cross and the head of the American Red Cross, Bonnie McElveen-Hunter.
It was proving very difficult, however, to speak with the
Palestinians. They were continually raising questions that
were difficult to answer, especially about Israeli checkpoints
and about injured and pregnant Palestinian people being
stopped at the checkpoints when they are rushed to hospital
and so on. So I said, yes, we will stop that, we will create
fast tracks if we come to an agreement. But then they also
wanted Red Crescent ambulances to operate in Jerusalem,
and that gets political. To have an ambulance with a Red
Crescent emblem in Jerusalem would be tricky. Then they
said, well your doctors are also carrying weapons in your
ambulances.
There were a lot of negotiating problems to get through
and a lot of ups and downs, and it was all pretty much stalled.’
‘But then at one meeting in the dining
room of the Swiss Foreign Ministry in Bern with the Palestinian
officials and dignitaries, I could see that the talks were
hitting a brick wall so I said quietly to Shipi, “Hey,
tell the maître d’ to bring me a spoon.”
I figured that the Palestinians don’t know who I am
or what I do, so maybe this was something worth trying to
change the atmosphere for the better. And the headwaiter
comes in with a spoon on a silver tray. I pick up the spoon
and I bend it. And I hand it to Younis Al-Khatib and he
freaks out because it continues bending in his hand. And
they go into a huddle, I can hear they’re talking
about the supernatural and powers and someone is saying,
“You see that’s why we have to talk”,
and suddenly, it all took off. Suddenly, they’re all
laughing and smiling, and it was like the whole Berlin Wall
was dismantled at once. The negotiations were working, we
started talking to each other with positive high spirits.’
‘But meanwhile, we were being inundated
with people from the Israeli State Department and the Foreign
Ministry who were also in Geneva trying to help with their
legal team, but watching us, wanting to know how on earth
can we allow Red Crescent ambulances into Jerusalem. After
quiet bit of arguing the government officials said to us,
“Yes, we can sign,” and a big press conference
was arranged for early next morning for Noam Yifrach to
sign with Younis Al-Khatib. The signing was to be held at
The International Conference Centre of Geneva with the world’s
press attending. But suddenly, very late at night, the Israeli
Foreign Office for some reason changed their mind saying
they can’t give us the OK without prime minister Ariel
Sharon himself agreeing. By now, it was 4am in Geneva, there
were four hours to go before the signing, and they weren’t
willing to wake Sharon at 5am. They were insistent that
they couldn’t.’
‘But then Shipi remembered that
Bonnie McElveen-Hunter had given us her mobile number, I
jumped on the phone. We dialled her and luckily, she had
her mobile on because it was about midnight in the US. And
I said, “Bonnie, you’ve got to pull a miracle,
the Israelis are giving us problems now. You’ve got
to call the White House and wake up President Bush and ask
him to get you Arik Sharon’s personal number. I know
him, I can call him, but I don’t have his number.
I believe that the White House was involved and Bonnie pulls
off exactly the miracle we had asked her for.
Through the help of Yitzhak Navon the Ambassador of Israel
in Genève, and the Israeli government officials who
sought Arik Sharon’s green light for Dr. Yifrach to
sign. It happened, Arik Sharon goes to his desk, sits
down and spends an hour looking at everything, calls the
Foreign Ministry and tells them it’s OK, they can
sign and we get the OK from Ambassador Navon. Because these
crucial agreements were signed between Magen David Adom
and The Palestine Red Crescent, Israel was accepted into
the International Red Cross after 56 years of exclusion.
The Red Cross created the new symbol, the crystal, to go
onto ambulances in war zones with a totally neutral emblem,
they called it The Third Protocol, the Red Crystal,
by the way the Palestine Red Crescent was accepted as well
into the International Red Cross organisation.’
Acclaim for Uri’s success at ‘bending’
the negotiations came from the highest quarters. The Swiss
foreign minister – later elected president of Switzerland
- Micheline Calmy-Rey, said in a speech to the assembled
dignitaries: ‘Uri Geller did not just help break the
ice with the skills that have made him famous - a considerable
number of bent spoons line the road that led to this agreement.
He has also played a pivotal role in helping everyone focus
on the main objective and overcoming differences over secondary
details at key junctures.’
The Red Cross negotiations
were not Uri’s only recent intervention in his home
country’s affairs. Indeed, his renewed ties with Israel
have been steadily becoming tighter over the past decade.
Israel’s deadly war in Lebanese territory against
Hezbollah in 2006, for example, brought Uri’s patriotic
streak to the fore. ‘When the war in Lebanon broke
out, I said to Hanna and to Shipi, ‘You know, I’m
not just going to sit here in England, I’m going there.
And they both said they were coming with me. I don’t
know what it was, we just had to experience the urge and
be part of what our country was going through. So we got
on a plane and the next thing we know, we’re landing
at Ben Gurion Airport.’
‘Now Leonard Lauder, the son of
Estée Lauder, lives in New York, but he keeps a armoured
vehicle in Tel Aviv for his safety when he’s there.
It’s a Chevy Suburban, he gave it to us along with
his driver Uzi, and we drove up to the border and we followed
the tanks into the war. While we were still in Israel, we
drove into Kiryat Shmona [the town in northern Israel that
was bearing the brunt of Hezbollah’s missile attacks]
Then we went to Rosh Hanikra, which was also under attack,
to greet Jakob Kellenberger, president of the Red Cross
International Committee, who had driven down from Beirut
to see the devastation on both sides. So we showed him around
the Katyushas started raining down on us. He almost didn’t
take it seriously when the sirens went off to warn missiles
were incoming. We practically had to push him into a shelter.
And then we heard the explosions. It was so strange and
unbelievable.’
‘When we got across the border into
Lebanon, I think people were quite surprised to see this
civilian Suburban with thick windows in a war zone. We had,
I think, the most surreal moment of our lives, sitting and
having Turkish coffee up there in Lebanon with big guns
firing on our left and right and tanks right next to us.
We called Natalie in Los Angeles so she could hear the shells
exploding around us. We were right there with the soldiers,
being shot at. Hanna went to use the bathroom in a police
station and the next day it wasn’t there. Of course,
all the TV journalists were up there too, Fox, CNN and the
networks. Fox wanted to interview me, but I declined. It
seemed that we were the only civilians there. It was an
amazing three days. We went quite deep into Lebanon. It
was heartbreaking sometimes, seeing all the young soldiers
and knowing some of them wouldn’t come back. What
I was doing was entertaining the troops. I was stopping
the car all the time, bending spoons between the shelling.
The soldiers in the fighting units were mostly reservists
so they were generally over 30 and knew me.’
‘The effect of the trip was that we
felt now reconnected, that we were a part of it and I was
back to my roots, back to my patriotism, back to my devotion
back to my ideological convictions about Israel. It was
all about my love of Israel the nation the people. I felt
I’d been away so long I had to gel with that powerful
spiritual connection and I couldn’t find any other
way but this. It was the energy of this brutal reality around
me that brought my soul back to feel so powerfully Jewish
and Israeli. We picked up from the ground in Kiryat Shmona
a missile fin with an attached piece of fuselage, I decided
to take it back to England and show it on TV to explain
people what’s being showered on Israelis, because
there was so much talk against Israel there.’
Anyway, when I got to Ben Gurion, I had this
lump of a charred missile in my Samsonite suitcase and the
security machine obviously picked it up. I saw a big commotion
and thought I’d better go and tell them the truth.
So I went straight to the security people. They all knew
who I was. And so I said, “Listen guys, there is a
Katyusha in my suitcase. But there’s no explosive
in it and I’m taking it back as an educational item.
And they all said, “Fine, you can take it.”’
Another quite different re-connection with
Israel that ultimately had great ramifications for Uri’s
ever-flourishing showbusiness career was forming out of
the mist at about this time. ‘I was in a hotel in
Tel Aviv when I got a phone call from a local TV producer,
Elad Kuperman,’ Uri recounts. ‘He said he’d
read in the papers that I was here and was thinking he’d
like to do a TV show with me. I said, “OK, come to
the hotel and we can speak for 10 minutes. I am pretty busy,
though.” Kuperman wanted to bring along Avi Nir, the
head of Keshet, Channel 2 TV in Israel. Now as it happens,
one of the owners of Keshet is, Haim Saban, the billionaire
who produced Power Rangers, and also used to own
ProSieben, a major German TV channel.’
‘So we sat in the business lounge and
I said, “Listen, I hope you’re not wasting your
time because you should really be looking for a new Uri
Geller rather than talking to me. And as I said this, their
eyes lit and met and I felt the energy build in a split
second between them. And Kuperman said, “Uri, you
just said the name of the show. That’s the show.”
The three of us looked at each other, laughed, shook hands
and that was it.
‘Four months later, we rolled out the
series, actually with another name I had come up with, The
Successor in Hebrew Hayoresh. The premise
was that with my 60th birthday approaching, the world needs
someone to take over from me. And I’m not kidding,
the streets of Tel Aviv were empty when it came on the TV
live. It was the most successful Israeli TV show of all
time. There wasn’t a car in the street. It got 54
per cent market share. The next day, I couldn’t
walk in the street. It was such a huge hit. It was incredible,
being back in Tel Aviv after so many years and all the struggles
and disasters of the past, when I was almost drummed out
of town because of that stupid business with the faked photo
with Sophia Loren. And suddenly, 38 years later, I’m
back and in a bigger show than anything I did back then.
After all that time not performing in Israel, I never thought
I would get this acceptance and love.’
Understandably, given the passage of
time and the contemplative side that grows in us all as
we get older, Uri couldn’t quite get the homecoming
side of the story out of his mind. In one newspaper interview,
Uri said tellingly: ‘They say there is no prophet
in his homeland. When I left there was envy, there were
those who did not like my success. I admit today that I
was on an ego trip. I had to prove myself. But so what?
I came from a poor family.’
The Successor was aired live, every week for
eleven weeks, a simple but compelling formula, with Uri
sitting in a big chair judging the performers, all of whom
were competing to perform the best Uri Geller-style mentalist,
psychic (or whatever they chose to call it) act. ‘It
wasn’t only the act I was looking for. I’m looking
for charisma, for character, for personality, for magnetism,
for the mesmerisation effect, because I know that’s
what makes an act, not the act itself, It’s like presidential
elections in the United States, it’s the most charismatic
person that wins. It’s been like that throughout history.’
‘The Successor
begins with eleven talented contestants, each week the one
who impresses me the most, I have the power to give immunity
to, so he or she will go through whatever the public votes.
I keep away from words like magic and illusion. I create
an atmosphere of mystery and mystique, powers of the mind.
But I make it very clear every time I start the show that
the host must ask me, “OK, what are these competitors?
Are they magicians, are they mentalists, are they psychics,
are they paranormalists? And my answer is, “Listen,
I don’t care what they are and I don’t care
how they do it. All I care about is one thing. I want to
see the most mindblowing performance on this stage. I want
to be impressed, I want to go, “Wow,” I want
my hair to stand on end. I want the people at home to ask,
“How did they do this?”
‘And then,’ Uri continues, “I
say something important. That we do not claim any supernatural
powers here. I don’t want to know how they do it.
And that’s it. By saying this, I neutralise controversy,
which comes anyway. But the people who are performing, whether
they’re real or not, they don’t have to worry
about what their colleagues will say in the business, that
they’re suddenly pretending to be supernatural or
psychic. I went through all that shit and I need to protect
them from it.’
‘Of course, I know that the controversy
is actually good no matter what people say and write and
blog as long as they spell my name correctly. I always remember
Oscar Wilde and that clever line he said – that there’s
only one thing worse than being talked about, and that’s
not being talked about. That’s what I’ve been
doing now for more than 50 years and I’m still around
and bigger than ever with all the controversy, all the people
who’ve tried to shoot me down and debunk me. Those
people made me wealthy, an enigma, a mystery, they made
me more popular than ever. I actually openly thank them
on my Website in “A message to sceptics” it’s
worth reading.
‘So this is what the Successor
is about. It’s an amazing, eleven-weeks of phenomenal
performances, and each week, I do my own interactive demonstration,
fixing broken watches in people’s homes, bending spoons
in people’s homes, doing telepathy with them, sprouting
seeds, moving tables in their living rooms and stopping
tens of thousands from smoking. There’s a call centre
next to the studio with several telephone operators, and
when I do my act, people call in. The technology is such
that now the viewers can film the phenomena, the spoons
jumping off the TV, the tables moving, the watches starting
to work, and report it and send the clip in instantaneously.’
The first series of The Successor was won
by a 25 year-old mindreader from Haifa, Lior Suchard, who
had already been performing internationally as well as in
Israel, and, apart from looking a little like Uri, does
a lot of similar, and very impressive, material with some
innovative twists and effects of his own. Suchard does not
explicitly claim or deny supernatural powers.
The Successor, aside form re-establishing
Uri with his home audience, a goal which can never be underestimated
for anyone from any country who has sought fame and fortune
overseas, opened the floodgates for another round of international
interest in Uri. Keshet gave it to SevenOne International,
a distribution arm of ProSieben, the show went to the international
TV marketplace event, MIP TV, in Cannes and was snapped
up by country after country. It was America, however, that
Uri was targeting of re-capturing. Uri had almost as tough
a time in the US in the 1970s and ended up leaving for Europe
under a similar cloud to the one that overshadowed his early
fame in Israel.
‘I had this vision that somehow
it was going to get to America, even though realistically,
it was an impossibility for us. No Israeli show has ever
sold to an American network. But the NBC executives at MIP
were very enthusiastic about it. They went back to LA excited,
but the big boss there said “No”. So I went
to Matthew Freud, the London PR guru, whom I am related
to and who I helped when he was young. I wanted him to help
me through his wife, Elisabeth Murdoch, the daughter of
Rupert Murdoch, owner of Fox channel to call Fox and maybe
try to sell it to them, I really believe in the Law of Attraction.
I believe if you want something that badly, you send out
your request to the Universe, and the Universe makes things
happen – the Universe doesn’t like delays, I
always believed that what you can visualise you can materialize.
But this wasn’t yet happening for me.’
“Matthew said, “No, forget Fox,
I know Ben Silverman, who owns a large production company
in LA. I’m going to call him.” And soon after,
Ben emailed me, said he knew all about me and about The
Successor. And amazingly, soon after that, the head
of NBC resigned, and Ben took over as co-chairman of NBC
Entertainment and Universal Media Studio and bought the
show immediately.’ In a press conference Silverman
was questioned by journalists as to why he chose a format
with such a controversial figure as me and he replied “because
I had Goosebumps when I watched the Successor”
The announcement came from NBC in Burbank,
California, on July 16, 2007. Silverman’s big idea
was to give the new Uri Geller show, to be called Phenomenon,
a contemporary twist by having Uri co-host it with Criss
Angel, the prominent mentalist who had made the phrase ‘Mindfreak’
his trademark.’ ‘The match-up of two world-famous
personalities, Uri Geller and Criss Angel, who have demonstrated
astounding skills, makes for a riveting series format,’
Silverman told the media. ‘Factor in the mystery of
the genre, the live competitive angle as the contestants
attempt to follow in Criss and Uri’s footsteps, and
incredible interactive applications, and we think viewers
will have many compelling reasons to watch.’
Christopher Nicholas Sarantakos was born of Greek
American parents on December 19 – the day before Uri’s
birthday –1967, making him 40 when Phenomenon
first aired. Criss is of the modernist school of thought
which holds that everything done by Uri or any other performer
claiming psychic powers is trickery and sleight of hand.
Angel is evangelical – militant, in fact - in this
belief; he has often revealed the methods for his tricks
to viewers at home on TV and in videos, and in a book, Mindfreak,
which became a Los Angeles Times bestseller.
‘He’s a great guy and an amazing
performer,’ Uri says. ‘He’s astonishing,
he has charisma, he has the looks, he’s talented and
skilled and he’s done about a thousand TV shows. But
I felt he neutralised the mysticism of my series. Criss
doesn’t believe. His father died a few years ago and
I think that deep inside Criss Angel wants to believe there’s
life after death – but that’s just me saying
it. I spent eight weeks seeing him a lot. He’s a sensitive
person, and I think every sensitive and intuitive individual
must believe that there is something more to our senses.’
Uri got on well with Angel, the two
still speak and exchange emails and the show was won by
Mike Super, an established 31 year-old magician from Pittsburgh,
the series was a great success, but Uri believes having
Phenomenon co-hosted by a denier of psychic phenomena
was a mistake on NBC’s part. ‘If I find the
time and NBC take another season, it will be just with me,
as it is in all the other countries like the original Successor,
you see the secret of success is originality. Criss, I understand,
signed a multi-million dollar contract with Las Vegas immediately
after Phenomenon anyway and so he’s very
busy.’
By far the most controversial and interesting
part of the show, and the incident which is still being
battled out on the Internet, was towards the end, when Angel
unexpectedly issued a challenge to Uri live on TV (and previously
to another psychic entertainer Jim Callahan, to guess what
was written in an envelope in his pocket, and offered him
$1m of his own money if Uri could get his envelope’s
contents right. The resultant unplanned brief sequence with
Uri (things had previously got extremely heated with Callahan,
who refused the challenge) may be seen in retrospect as
one of the key moments in Uri’s career – and,
like so much of his life, is so intriguing yet frustratingly
inconclusive that it serves only to heighten global public
fascination with Uri.
Uri is in no doubt that Angel was concerned
– he actually looked a little panicked - when he started
to guess what the young American had written on the paper
- it was the simple yet evocative numbers, 911. ‘I
do believe I freaked him out with the envelope. He stopped
me in the middle because I started saying the number. Some
people feel I should have got the $1m.’
In a CNN interview about the show, Angel had
told Larry King, ‘No one has the ability, that I’m
aware of, to do anything supernatural, psychic, talk to
the dead. And that was what I said I was going to do with
Phenomenon; if somebody goes on that show and claims
to have supernatural psychic ability, I’m going to
bust him, live and on television.’ It can easily be
seen, then, how for Uri to have been seen to win the challenge
would have meant much more than having to sign over $1m
he could easily afford or suffering a minor embarrassment;
it would have destroyed Angel’s ‘rationalist’
stance on magicianship and pitched the entire magician establishment,
from James Randi upwards, into chaos. Indeed, it would have
destroyed Angel’s career, because there can be no
doubt that, in their panic, the rationalists would have
set out determinedly to bend the truth and present Angel
either as a collaborator with mysticism – or as having
rigged the show to present Uri in a good light, either of
which would have meant professional death.
The incident, therefore, deserves examining
word by word. This is how it unfolded. Angel, handling the
envelope, first asks Uri if he would like to ‘take
a gander [a look] at this’. ‘I knew you’ll
challenge me once more,’ Uri replies. ‘A million
dollars bucks, cash,’ Angel says.
Uri: ‘But let me tell you something.
Although we were born one day apart. I was born on the 20th
December and you on the 19th. [Uri stresses the number 19
here]
Angel: I told you that, correct. [Angel
smiles weakly and nods]
Uri: There’s a lot of years between
us, 40 years. You were one year old when I came out [Uri
holds up one finger at this point and wags it repeatedly
at Angel] with my spoon bending.
Angel: I guess this is a ‘No.’
[Angel seems in a rush, holds up a hand to stop Uri speaking
and moves his gaze to the envelope. He then throws his head
back, laughs and starts opening the envelope as Uri is trying
to continue]
Uri: And I wish you a lot of success …
Presenter: We need to know what’s
inside that envelope, please.
Angel: Here it is [opening envelope].
It’s a travesty that happened to people all around
the world but specifically to New Yorkers and people in
New York. If somebody could have predicted or told us on
9/10 that 9/11 was going to happen. [Angel reveals paper
with 911 handwritten on it] then maybe that could have prevented
it. That’s why it’s a sad day that non one could
do that and people [indicating Uri] claim they can.
As will be clear from the above, the Phenomenon
envelope incident, which is much viewed still on YouTube,
is wide open to interpretation. It seems that Uri had an
idea that the envelope contained some combination of the
numbers 1 and 19 and seemed to be formulating a final answer
in his mind and marking time by developing a dramatic build-up
to stating the answer. It seems equally clear that Angel
was overly anxious to terminate the experiment from the
moment Uri, having mentioned 19 pointedly then started heavily
emphasising the number 1. What remains odd, however, is
that Uri remained silent, and looked almost paralysed, throughout
the 18 full seconds that Angel took to build up to revealing
the number. Uri certainly seemed annoyed with
himself as Angel started speaking about 9/11, but said nothing.
What, then, is Uri’s explanation for
his untypical silence at this all-important moment? ‘When
I was sitting next to Criss during those 18 seconds, there
were a number of thoughts going through my mind at the same
time. Number one was I was questioning myself why I was
uttering those numbers. And then I was answering them to
myself, saying, “Probably, those numbers and birthdays
are the basis of what is inside his envelope, but, I was
thinking to myself, am I receiving them subliminally? What
would happen if I was right. Would he even open the envelope
or not? I didn’t want to mess up my own show. Remember,
this is my series, my format, I own it, I created it. He
wasn’t supposed to do that on the show. Another thought
that went through my mind was, what if those weren’t
the numbers in Criss’s envelope? And my last
thought was, I actually planned to say, “Well, if
you open your envelope, you will see that the numbers I
have just spoken correlate closely to what you have in there,”
But then I was cut off abruptly. So all these thoughts took
up those 18 seconds, they flew by and by then it was too
late to say anything.’
The controversy, of course, helped develop
an even more insistent new buzz in the TV world about Uri’s
renaissance. The show went from the US to Germany (The
Next Uri Geller — Unglaubliche Phänomene live)
and then to the Netherlands (De nieuwe Uri Geller).
Both shows were made in the same studio in Cologne. Just
as Germany had been an emotionally loaded country for Uri
and any Israeli early in his career, it continued to have
special significance for him in 2008. ‘At one point,
the executive producer for ProSieben, Oliver Brendel, said
to me, “You know what, Uri. What I’d love you
to do for me is do your trademark 1, 2, 3 in Hebrew like
you did in Israel.” I said, “What, you want
me to count in Hebrew and not to say Eins, Zwei, Drei?”
And so, incredible as this was in Germany after all, I started
triggering my performances with Achat, Stayim, Shalosh
and within a few days, kids all over Germany,
who were already mesmerised by the show, were going Achat,
Stayim, Shalosh at home, in school playgrounds, everywhere.
Imagine, German children counting in Hebrew with no embarrassment
or agenda at all. It was an amazing thing to see and hear.
Again, it was soon all over YouTube and children started
shouting Achat, Stayim, Shalosh at me in the street.
Extraordinary and very emotional for any Jew.’
The show became enormous in Germany, capturing
more than 20 per cent of the market share. The Germans being
a people as ever committed to going the extra kilometre
to do things to the ultimate extreme, there were scary moments
with over-keen contestants. ‘One performer wanted
to shoot a nail gun into his arm, and then into his head.
I had to stop him - it would have been so easy for it to
go wrong. But generally, it was all fantastic. Some German
sceptics were ranting all over the Internet, in blogs and
on YouTube revealing how the contestants may have done their
acts. The competitive channel RTL flew Randi over
to show how he thinks I perform some of my feats.’
‘RTL were rattled by the success of
my show, so they decided to undermine it by producing a
debunking show. And as promotion for that programme, they
placed a full-page advertisement in Bild Zeitung,
which naturally ended up promoting my show and the next
edition got the highest rating yet. It was really
very good of them to do my publicity for free, but then
the sceptics have really been doing that for 40 years. ProSieben
received millions of phone calls during the series. There
were cartoons of me in Stern and Der Spiegel.
ProSieben ended up giving me a multi-million Euro contract
to do more TV Specials kicking them off with a mysterious
live Uri Geller UFO and Aliens Special.’
A Hungarian version of the show, A kiválasztott
followed, which led to a new cult in Hungary, of children
imitating Uri’s odd Hungarian accent. Many of the
Hungarian public’s impressions of Uri can be viewed
on YouTube. Turkey was next in line for what was rapidly
turning in to a new Uri Geller juggernaut. The Hungarian
and Turkish shows ran concurrently, which meant Uri, Hanna
and Shipi commuting by private jet between Budapest and
Istanbul.
Turkey was an interesting new audience for
Uri because he was wholly unknown there. It was, indeed,
the first primarily Islamic country he had performed in,
even though Uri counts many Muslims, including Mohamed Al
Fayed, as his close personal friends. For safety’s
sake, in the extensive publicity given to Fenomen
in Turkey, only very limited mention was made by either
Uri or the media of his Israeli roots, although it was made
clear that the show had played in Israel. But even if people
were doing their own research – not difficult in the
Internet age – and discovering that Uri is an Israeli
Jew and Israeli army veteran, it made little difference
to Fenomen’s high profile reception –
or the level of scrutiny (although balanced) Uri’s
psychic credentials were subjected to in the media.
The Turkish Daily News, for instance,
ran a lengthy article under the headline ‘Famed psychic
transfixes Turkish television’. It quoted a Turkish
illusionist, Sermet Erkin, as saying that Uri’s claim
of mental power is deceptive, but added that notable figures
around the world and in Turkey were standing firmly behind
the things they had seen him accomplish. The famed Turkish
singer Ibrahim Tatlses, an early guest on the show, had
said he did not believe in mental powers such as Uri’s
but was dumbfounded when he drew a picture sight-unseen
that another person had drawn live. ‘Oha, what’s
going on here?” Tatlıses said on the show.
Fenomen’s host and movie
producer Sinan Çetin also told the journalist that
he did not believe the mind could move objects and tables
before meeting Geller. ‘Now, yes, I believe him,’
he said. Fasih Saylan, deputy general manager of the broadcaster,
Star TV. Saylan said men especially were calling in to the
show week after week exclaiming that they could not believe
what had happened in their houses, from moving objects to
fixed clocks. ‘Our whole crew is getting text messages
about strange things their friends are seeing. I don't know
what he’s about,’ said Saylan.
Russia was the next – and biggest
– new territory in which Uri was determined to break
through, and he was especially excited about it not just
because it is the biggest country in the world – but
also because here was another market where he was barely
known. His 1970s heyday had come at the height of the Cold
War and when, additionally, Soviet-Israeli relations were
frosty at best.
The coming of Uri’s show to Russia was
announced on July 30th 2007, with TV Channel Rossiya saying
they would be launching an eight-episode 90 minute per show
run on Saturday nights at prime time, with Denis Semenikhin
as host. At the packed launch press conference, Jens
Richter, the managing director of SevenOne International,
said, ‘TV Channel Russia is an excellent partner.
And in terms of its content, The Successor with Uri
Geller fits in perfectly with Russia, a country that
has often been said to have a mystical soul. We are positive
that TV Channel Rossiya will be as successful with Uri Geller
as all the other channels before.’
The media coverage reached near saturation
in Russia in the summer of 2008, with one controversial
incident (not, as it happened, very much connected with
Uri or his powers) making world headlines. In the weeks
leading up to that seminal moment, of which more shortly,
the customary fervent discussion of Uri’s abilities
rolled out as they have everywhere else these past 40 years.
Anna Malpas, for the Moscow Times noted the celebrities
in the audience for the Russian Fenomen’s
debut: ‘They included actor Mikhail Dorozhkin, who
said straight away that, “I have believed in miracles
since my childhood,” and a former Miss Universe, Oksana
Fyodorova, who hyperventilated as Geller promised to stamp
his fingerprint on a spoon. “If you do that, I’m
going to faint,’ she warned. She didn’t, but
Uri revived her anyway with a quick kiss.’
The big drama that transfixed Russia came
on the show’s second airing, and was political comedy
rather than psychic mystery. Natalya Krainova summed it
up for the Moscow Times under the headline, ‘Knife,
Munich, Putin on State TV’. ‘So rare is it to
hear anything but fawning praise for Prime Minister Vladimir
Putin on national television that the mere mention of his
name in a less-than-flattering context can put television
hosts and producers on the edge of a nervous breakdown,’
Krainova wrote.
‘In a live broadcast of the show Phenomenon,
which features magicians and mind-readers, Alexander Char,
a self-proclaimed telepath, swore that he could plant the
plot of a detective story in the minds of audience members
merely by looking them in the eye. The story, Char said
in the September 5th broadcast, had already been put on
paper and locked in a safe, and now he would telepathically
relay to three spectators three key details of the crime:
the murder weapon, the place of the crime and the name of
the perpetrator.’
‘The first two participants answered
“knife” and “Munich,” respectively,
responses that Char’s assistant dutifully wrote down
on what appeared to be a dry-erase board. Char then asked
a third spectator to name the perpetrator. “Tell me
the name of a famous person not in the auditorium,”
he said.’
‘After a long deliberation, the young
man answered, “Putin,” prompting a burst of
laughter and applause from the audience. Char gave his assistant
the go-ahead to write down the response, resulting in a
curious combination of words staring out at viewers: “Knife.
Munich. Putin.”
It was only a matter of seconds before the host, Denis Semenikhin,
rushed in from offstage, his earpiece visible, informing
the startled telepath that he was being told the use of
the prime minister’s name was unacceptable. “This
is simply inappropriate,” Semenikhin said.’
‘Confusion reigned for several seconds
while the host, the psychic and the assistant tried to figure
out what to do. Attempts to erase Putin from the board proved
futile, and the eventual solution only seemed to make things
more awkward. Putin’s first name was acceptable, they
agreed, and was subsequently written at the bottom of the
list, which now read: “Knife. Munich. Putin. Vladimir.”
When Char read the list aloud, he omitted the third line.’
Krainova concluded by quoting television
journalist Maxim Shevchenko, who argued that Semenikhin’s
and the producers’ reaction was natural because Russians
are loath to lampoon their leaders. ‘This is not Oprah,
where they freely parody the [U.S.] president,’ Shevchenko,
said. ‘Russians have a different mentality.’
Another commentator, Alexei Mukhin, an analyst with the
Center for Political Technologies, made an interesting point
that went some way to explaining the station’s reaction
within the modern Russian context.
The explanation to the event was to be found
in an unfortunate combination of words that had formed on
the whiteboard, Mukhin told Krainova. ‘At a
security conference in February 2007, Putin gave a hawkish
address that became one of the more memorable speeches of
his eight years in office,’ said Mukhin. ‘The
site of the speech, which was filled with sharp criticism
comparing U.S. foreign policy with that of Nazi Germany?
Munich.’
Thus did Uri’s second major exposure
in Russia lead to the very kind of controversy (albeit in
a very different form) which has, to his great satisfaction
and profit, reliably followed him since the age of three.
Not that old controversies about Uri ever show any sign
of dying. Extraordinary to say, questions and mysteries
about him continue decades on to be illuminated by new snippets
of information from years ago, new perspectives, new assessments
and new clues. It is almost as if Uri’s exploits in
the 1970s were a mid 20th century re-run of the Jack the
Ripper mystery in Victorian London.
The most surprising new piece of evidence
about Uri’s past –both to those who study his
life and power and to Uri himself – emerged in 2007,
when a retired Israeli reserve Air Force captain, Ya’akov
Avrahami, came forward to say he believed that at some time
in the early 1950s, he had witnessed the incident related
in Chapter 2, when Uri encountered a strange ball of light
on a patch of derelict land close to the apartment on the
corner of Betzalel Yaffe and Rothschild Boulevard in Tel
Aviv.
‘I was walking to the bus stop, down
the road next to the Rothschild Cinema,’ Mr Avrahami
said on camera in Being Uri Geller, ‘when
I suddenly saw a powerful light, a sphere-shaped light,
a metre in diameter, bright and dazzling. At the same moment,
I noticed that from a building on the left, a small child
coming out dressed in a white shirt. The light halted again
and, as if it had senses, for some reason, it suddenly turned
around and approached the child. The light embraced him.
‘When I was negotiating the Red Cross
agreement with the Palestinians in 2005, the BBC Reputations
documentary played in Israel, and soon after, I got an email
from Mr. Avrahami saying, “Mr Geller, you don’t
know me, I’m a retired officer in the Air Force and
I watched your documentary and I believe I was there when
you saw that sphere of light when you were a child.”I
couldn’t believe what I was reading. Later, I met
him. He was an older gentleman, married with children and
he told the story again. And it was the way he described
me as a little boy with a white shirt and black trousers,
which is what my mother always dressed me in that convinced
me. He remembers that I ran home and this sphere of light
chased me, and when I got to the apartment building entrance,
and went in the door, the sphere of light exploded on the
building and left a black residue. He was so shocked
that he couldn’t believe his eyes. And when I told
the story on the TV, he realised at last, after all these
years that it was me.’
‘So after 55 or more years of me repeating
this story over and over, because I know it happened, but
being told all these years that it was my imagination, or
I was hallucinating, for the first time in my life, someone
was validating what I’ve always known occurred. It
was a very emotional thing for me, this man coming forward.
Doubts have often slipped into my mind about the incident,
whether maybe I dreamed it. But it was always very, very
real and lucid to me and now with Avrahami’s testimony,
I now know it definitely did happen.’
Other new evidence that has come to
light in recent years emerged in November 2007, in a lengthy
and meticulously researched re-examination of Uri by Brendan
Burton, a UK-based founder and co-Administrator of the Open
Minds Forum (www.openmindsforum.com) appeared in the online
American Chronicle. The OMF includes astro-scientists,
biologists, psychologists, journalists, theologists, forensic
experts and other professionals and is particularly interested
in the UFO issue.
Among Burton’s fascinating findings
and observations – that the CIA continued working
with Russell Targ and Hal Puthoff for many years after their
SRI work with Uri, suggesting, as Burton says, that even
if there were some doubts in the scientific world about
the pair’s SRI work, the CIA saw no problems with
it.
Burton also reported that he had asked
Dr. Jack Sarfatti, an American theoretical physicist who
supported Uri in the 1970s, to discuss the ability to bend
metals by mind power. ‘I have seen things in my trip
to Brazil in 1985 shown to me by a General in the Brazilian
Army, allegedly from a UFO that landed in the Amazon jungle,
that is like what Uri did with metal but even more complex
than what I saw Uri do in 1974,’ Burton quotes Sarfatti
as saying.
Burton also had one of the last interviews
with the metallurgist and US Naval scientist, Eldon Byrd.
before Byrd’s death in 2002. He asked Byrd for his
most up to date knowledge of psychokinesis. ‘I developed
several theories about how PK might work in the metal bending
phenomena,’ Byrd said. ‘As a physical scientist
I have always been more interested in phenomena that produce
hard analyzable data, rather than the soft statisical pablum
of parapsychology. Recently, I have become acquainted with
new information on how the mind can interact with biological
processes; I have altered my previous theories. That is
how science progresses - not with “proof”, but
by coherency. We are close to understanding how intention
can create action at a distance.’
‘In respect of Geller,’ Brendan
Burton wrote, ‘there is too much credible witness
evidence to suggest that he is just employing mere trickery.
Indeed, if such were the case, he would be perhaps even
more of a phenomenal person, having maintained a level of
deceit so powerful it has managed to fool some of the most
credible academics in history, people with high level security
clearances, physicists, metallurgists, astronauts, magicians,
politicians and world leaders, in short - the kind of people
we tend to invest our trust into. Such supposed “trickery”
to such a large and grand scale has certainly never been
done before, and leads even some of the most sceptical to
consider: “This can't be possible … can it?”’
Burton concluded: ‘Sceptics often
claim that these people are not experts at recognising the
tricks and tools of deception, yet how do we explain the
witness accounts of some of the worlds finest stage magicians,
also seeing the first hand “bending” phenomena?
The testimony of these people alone show that Uri Geller
is perhaps NOT the “parlour trick” charlatan
some pseudo-sceptics claim.’
Another writer fascinated by Uri but
more so by Dr. Andrija Puharich, the esoteric author Phillip
Coppens (www.philipcoppens.com) has been continuing his
life-long research on Puharich and concluding that the mysterious
Serb was very probably a CIA agent on a long term, if eccentrically
executed, mission to investigate Uri. ‘Uri Geller
stated in 1996 that he “probably” believed that
“the whole thing with Andrija was financed by the
American Defense Department,”’ wrote Coppens
on his website. That opinion was also expressed by Jack
Sarfatti, who added that Puharich was Geller’s case
officer in America with money provided by Sir John Whitmore.’
(Whitmore is a former champion professional race-car driver
and sports psychologist who works today as a management
consultant and is also a supporter of Puharich’s more
far out theories.)
The evidence, Coppens concluded is that Puharich’s
ultimate mission was to discredit Uri’s powers, or
at least to turn them into an unverifiable myth and disinform
the public. ‘Why? Perhaps Puharich did not want the
paradigm shift to happen after all. But perhaps (more likely)
he was following orders, and the orders were that the status
quo had to remain. It seems a logical enough assumption
that the US government was not interested in paradigm shifts,
but instead preferred status quo, in which the existence
of ESP was contained within the corridors of their own buildings,
and not displayed in every street of the world. With such
a paradigm shift, there was more than the state of the family
silverware at stake.’
Another possibly significant new reworking
of old evidence, on the website www.starstreamresearch.com
followed up an interesting new snippet of news on Uri discovered
by the respected British author and documentary maker Jon
Ronson while researching a 2004 book, The Men Who Stare
At Goats. Ronson discovered from Uri, following the
9/11 attacks, that he had been reactivated into the ranks
of intelligence agency psychic spies to help track the movement
of terrorists and weapons of mass destruction. Ronson wrote
that Uri had told him that he knew the man who reactivated
his mental powers for intelligence merely as ‘Ron’.
‘Based on information provided
to us by various sources,’ Starstream.com reported,
‘we strongly suspect that Ron is a former high ranking
CIA agency analyst, previously tasked to monitor technology
developments in China. The big question remains: which intelligence
agencies might be involved in the latest version of a psychic
black ops antiterrorist unit? MASINT (Measurement and Signatures
Intelligence) is a likely candidate, but our present understanding
is that Ron is working for John Negroponte at the Department
of National Intelligence.’
‘Rumours persist that America's DIA
trained psychic intelligence sources are viewing mushroom
clouds over numerous cities in the homeland. Taken in tandem
with the constant rumours of loose nukes, it appears that
the psychic spies have been reactivated, at least in part,
by the man said to have had a hand in shutting down the
original DIA STAR GATE psychic spy program,’ the Starstream
article continued.
‘All in all it would seem that there
is something about space, time and beyond that we don't
understand. Researchers have discovered mirror neurons that
empathetically fire in your brain when you are watching
someone else get poked by a needle, for example. Somehow
the neurons in a remote viewer must fire empathetically
for information about distant events, removed from ordinary
sensory detection.’
‘Last year, the [US] Air Force received
a great deal of flak from the press about a research paper
they commissioned to examine the use of teleportation for
military purposes. Apparently the journalists didn’t
realize that quantum teleportation has been an active area
of mainstream research, ever since it was discovered by
a team at IBM in the 1990s. MIT Professor Seth Lloyd has
been researching the use of quantum teleportation for communication
networks. Lloyd’s support includes DARPA, the Defense
Advanced Research Projects Agency. Recently he also developed
an interest in quantum gravity, the elusive theory that
would unite Einstein’s theory of bending space and
time with the foundation stone of all modern electronics
and atomic engineering: the quantum theory.’
So what exactly is Uri’s position today
regarding his own powers? While he was in Germany in 2008
doing publicity for the German version of his show, Uri
gave an interview to a magicians’ magazine which,
while never penetrating the mainstream news agenda, nevertheless
caused a maelstrom in the magicians’ world. This was,
perhaps, understandable, because, taken out of context,
it appeared that Uri was in the process of ‘rebranding’
himself as not a psychic, but a ‘mystifier’.
This is a job description which is very fashionable today
among the likes of Criss Angel, the NBC show’s winner,
Mike Super and Lior Suchard in Israel. What was Uri doing?
Was it a climbdown, even, after decades of insisting that
he is the real deal, a psychic?
‘Look, I’m the king of PR. I know
how to flow with time and with trends. So 25 years ago,
if you asked me what are you, I immediately said, “I’m
a psychic, I have supernatural powers. I’m real. I’m
authentic and genuine.” Today, I’m not saying
I’m not – I assure you of that – but I
prefer, or at least I think it’s a better idea now,
PR-wise, to be known as a mystifier. And that is the truth;
I mystify people. I’ve mystified the world for 55
years.’
‘The reason I have climbed a notch down
is that I have to protect my performers. I have to give
them safety, that they shouldn’t worry about appearing
with me because I’m claiming supernatural powers and
they’re not, and the damage that may do to their career.
So I have to do that because this series is important to
me. It’s my baby. I love it, I enjoy it, yes it makes
tons of Money but money doesn’t motivate me any more.
It’s the creativity factor that moves me. It’s
giving a chance, a platform to young performers. Can you
imagine how flattered I was in America when one of the performers
said to me, “You know, I feel like your child. I grew
up on your books, I saw you on Mike Douglas and on Merv
Griffin when I was a 8 year-old boy. And here I am in your
show.” That was cool to hear.
‘I know exactly how real I am and to
what extent, but you have to be flexible in life. You have
to compromise. That’s showbusiness. Of course all
the sceptics jumped on my words. But I never said in that
interview that I’m not real. Some sceptics still lie
and invent things about me. They still make up stories …
you know the kind of thing, that he had a magnet on his
thumb when he moved the compass. There’s a YouTube
video showing me in The Successor in Israel, the
sceptics say, that I slipped a false magnetic thumb that,
according to them, I kept hidden in my hair. Can you imagine
me doing that when eight cameras are filming? Come
on, I’m not that stupid. But they believe what they
want to believe these people, they see exactly what they
want to see. For my part, I loved it that over 1.4 million
people clicked to watch that video and close to 2 million
people got on YouTube to watch me on a 35 year old Johnny
Carson Show. It’s all priceless publicity, and
it’s still going strong nearly 40 years on from when
I started.’
‘Hilariously a notorious sceptic throughout the decades
libelled me in numerous publications directly and indirectly,
the publishers ended up settling out of court paying me
a fortune. Thanks to the sceptic’.
Does Uri know today any more than he
did when we first used to discuss his powers how he does
it? ‘No. I still don’t. It just happens,’
he replied. ‘But let’s just say I am the greatest
magician in the world, and I did mange to fool the world
for nearly 55 years with hidden chemicals, by sleight of
hand or whatever. What you can’t take away is the
fact that say 10,000 phone calls come in to a TV station
from people saying their spoons bent or their watches restarted
or something else strange happened during one of my shows.
And let’s assume that 50 per cent of them were lying.
And let’s say half of the remaining 5,000 imagined
it. What I want to know, and what I’ve wondered all
these years, is what about the rest? What about the other
2,500, or the 1,000, or the 500 or the 50 people that weren’t
imagining and weren’t lying or self-deluding? How
does it work for them? I honestly don’t know, I don’t
really think I want to know, but I do believe that it is
a genuine phenomenon, and I’m not sure the Universe
wants us to understand it, not yet. I don’t believe
we’re ready for it.’
‘I think the extraordinary thing that
has happened over these many years is not the science of
it but the fact that I have brought this type of phenomenon,
into modern culture. Most people throughout history want
to believe in miracles , in inexplicable paranormal phenomenon
and here I come with an ordinary spoon and bend it with
my mind and it becomes an icon – and years later,
you’re watching a massive Hollywood production, The
Matrix, and Keanu Reeves walks into the Oracle and
witnesses these children handling a whole bunch of bent
spoons. The little boy in the scene then bends a spoon and
straightens it out again before handing it to Reeves and
saying, “Do not try and bend the spoon, it’s
impossible. Instead, only try to realise the truth”.
Reeves asks, “What truth?” and the boy replies,
“There is no spoon.” Reeves replies, puzzled,
“There is no spoon?” The boy comes back: “Then
you will see, it is not the spoon that bends, it is only
yourself.” And with that, Reeves stares long and hard
at the spoon, before it appears to bend for him too.’
‘And that’s not the only appearance
of spoon bending in popular culture,’ Uri continues.
‘Kenny Rogers sings about spoon bending. Johnny Cash,
Michael Stype from REM, both mention it, even Incubus mention
me in one of their hit songs. And that’s not taking
into account the thousands of magicians that have made their
living replicating my feats.’
So specifically, does he believe people
like Lior are psychic? ‘The thing is,’ Uri says,
‘I’m not a magician. I don’t know anything
about magic effects or tricks. I invented an act that captured
people’s imagination and I prefer to leave it a mystery.
So when I see the contestants perform on my show, I don’t
really know how they do it. In The Successor I’m
watching them like I’m one of the people at home watching.
Before the show goes on, I always meet the competitors and
say, “Listen, guys, don’t worry when you see
me sitting there monitoring you. Don’t think that
I know how you do it because I don’t.”’
‘So the truth is, I don’t know
whether Lior has supernatural powers. This show isn’t
about whether you’re real or not. I want to believe
he has supernatural powers but I don’t know. He’s
a great mentalist. David Berglas always said about me this
“If he is a magician, then he is the best we have
ever seen, and the most famous since Houdini. On the other
hand if he is a psychic then he is the only man who can
do what he does. Magician or Psychic, agree or disagree
with him, either way we have to respect him for what he
has done. He is truly a phenomenon.”
The Next Uri Geller aka The Successor
and Phenomenon is not a scientific show, its pure
entertainment it’s a family show and in all the press
conferences I make it absolutely clear to everyone that
this is the case. I think there shouldn’t be
this divide between whether performers are psychic or not
in the world of entertainment that demystifies and destroys
the mysteriousness, decades ago Albert Einstein said that
the most beautiful thing we can experience is the mysterious,
it is the source of all true art and science he to whom
this emotion is a stranger who can know longer pause to
wonder and stand rapt in owe, is as good as dead his eyes
are closed.’
The question is unlikely to be resolved in the near future.
The phenomena are too fleeting and subtle to categorise
by traditional methodology. The more sophisticated commentators
like Berglas understand that there is a wide grey area in
all this. Marcello Truzzi [the former leading sceptic who
became a firm friend of Uri] understood this too. Marcello
never ever “believed” in my talent or my gifts
or my powers, but he was always with me. He was an honest,
non-vicious man, a real friend to me.’
‘People sometime ask if my powers
are diminishing with age, and the answer is, no, I am actually
experiencing these days a surge of energy that I’ve
never felt before. And all around me, these crazy things
keep happening all the time. I’m still bending spoons,
making them fly off television sets. You should see the
stuff on YouTube. So I’m more inclined today to believe
that there is a thinking entity behind this mystery. So
the Puharich tales, the Lawrence Livermore voices, the tapes
materialising, the voices appearing out of nowhere. They’re
all beginning to fall into place now. I want to believe
that there could be some kind of an intelligent energy involved
that is directing me. The fact that I can make these weird
and bizarre things happen could be signs or signals from
some type of a presence or entity or even ET and I love
the enigma of it all.’
In this new, more contemplative and relaxed
phase of his life, Uri has been quietly developing, year
on year, a more textured, nuanced theory of his and others’
inexplicable powers. On the one hand, he has, so it
seems, come to an accommodation (up to a point) with the
conventional magic world. Once he might have been
offended by it because of the name of the magazine, but
today, he is proud of a statement that appeared in the journal
Magic in the US in May 2008: ‘Continuing
what has to be one of the biggest comebacks in modern times,’
the piece read, ‘Uri Geller successfully continues
his conquest of worldwide television.’
On the other hand, Uri’s spiritual
side seems to be maturing apace. In his 1999 book, Mind
Medicine he summed up in a particularly interesting
and profound way what this ‘mind power’ might
consist of. He wrote: ‘I believe it represents
a deep wisdom that we all inherit form our forebears and
which, once harnessed, can effectively give every one of
us much greater knowledge and insight into out lives. I
believe that with such awareness comes healthier minds and
bodies. Some of us learn how to tap into this energy earlier
than others; some come upon it through trial and error.
Others cannot explain it but trust it totally. Its power
is formidable and this frightens those who have not yet
reached the point of understanding the potency of such an
invisible force.’
*
I will conclude this update chapter
in the extraordinary life story-so-far of Uri Geller on
a personal note. To my surprise, the accounts earlier in
this book of my own and my family’s interactions with
Uri back in the mid 1990s were what caught the eye of a
large number of favourable reviewers. To take just one,
Andrew Billen, a highly acclaimed British journalist and
critic wrote in the London Evening Standard newspaper:
‘Jonathan Margolis clearly spooked himself writing
it and I got an attack of the flesh-creeps one night just
reading it.’ And in the intellectual New
Statesman magazine, the British novelist and reviewer
Martyn Bedford wrote: ‘Jonathan Margolis was plagued
by bizarre incidents while writing this appraisal of the
Geller phenomenon. Crashed computers, broken clocks, telepathic
wake-up calls, camera malfunctions, the destruction of two
tape recorders . . . and by the end he was bending spoons
himself as though they were made of Plasticine.’
So when I found myself back at Uri’s
house in August 2008 with digital recorder in hand - more
than ten years after the last such encounter - I wondered
whether he was about to resume his role in our lives as
a lightning conductor of weird events. I have, inevitably,
thought a great deal about Uri these past years, spoken
to him to exchange news every few weeks and occasionally
bumped into him or popped by his house if I was going past.
But we have not needed to engage in any intense mind connection
as you do when working on a book together. And as a result,
perhaps, the strange, enigmatic events which characterised
our time together in the 1990s ceased almost as soon as
we finished the book tour of the UK we did together in 1999.
I have to say that in the intervening decade
I have also done quite a lot or research into the paranormal
as well as magicianship and was starting to drift towards
a tentative re-assessment of the Geller phenomenon as being
an ill-defined form of benign mind control that appears
paranormal because it interferes with the very imprecise
compass of our own perception of the world around us. I
have seen many mentalists at work since then – the
brilliant Marc Salem being just one – doing things
very similar to what Uri does whilst strenuously disclaiming
any psychic ability, and I am inclined these days to believe
them. In other words, what I was starting to conclude was
that certain individuals have the ability to mess with our
minds and convincingly alter our perception of things, even
when we are in a crowd. This ability can be learned, but
in to a limited extent is a natural, charismatic gift. What
remains truly extraordinary about Uri is that he never had
to learn to do what he does; he could do it at three, and
that remains the reason why I continue to believe he is,
for reasons unknown to anyone, himself included, an enabler
of events and phenomena we can only call paranormal.
Despite the ten-year drought of odd
events in mine and my family’s life, I did not have
long to wait in August 2008 for peculiar stuff to start
happening again; it all started happening again after about
two hours. The day we met up happened to be my older
brother’s birthday, August 1st. I woke up with
the unpleasant realisation that I had forgotten to send
him a birthday card as I always do. I sent him instead first
thing in the morning an e-card with the jokey explanation
that I had made the mistake of thinking that July this year
had 32 days, so I had been planning to send the card today,
July 32nd. I remember thinking at the time how odd
that date looks written down. A couple of hours after sitting
down to record some updated interviews with Uri, we stopped
for a coffee break and Uri presented me with a gift –
a box containing one of his new line of beautiful mechanical
watches. Delighted, I was turning the watch round in my
hands and admiring it when Uri asked if I could see anything
strange about it. I replied that I couldn’t see anything
strange – beautiful, yes, but not specifically strange.
‘Look at the date,’ he said. I did. The watch
was set to July 32nd. Uri explained that it was a
built-in peculiarity about the watch, a little joke that
it counted beyond the normal calendar month, but I couldn’t
help thinking just how utterly bizarre it was that the expression
July 32nd, which had never occurred to me in 53 years, had
now entered my life twice on the same day.
The next couple of weeks were free of strange
co-incidences, but then one day in mid-August, an astonishing
and deeply disturbing eight startling and, to me, remarkable
occurrences piled in on us within 24 hours. It truly felt
as if the Universe was reminding me of how powerful Uri
Geller is- and how important it was to get this new update
chapter finished as there was a vast new public in Russia
desperate to know more about Uri. Interestingly, I think
Uri himself was during this time impatiently urging me (consciously
or sub-consciously) to get on and write this. The original
plan had been to complete it by August 19th, but a series
of urgent deadlines for other work was setting this deadline
back – plus we had a pre-booked week’s holiday
in Devon, in the south of England, and I had promised the
family I would not do any work during the week away.
Now readers may remember back in Chapter 4
that I was with my family in Devon when I was first working
on the proposal for this book in August 1996. Although
here I was in August 1998 involved with Uri again, having
not been back to south Devon since, I did not make the connection.
Then, one day in August 2008, when we were at a beautiful
private beach, Blackpool Sands, I went up to the café
to get some coffee and my mobile rang. It was Uri, calling
from Moscow, where he had just arrived, to urge me onwards
with the book. We had a brief chat and I continued on my
way to the café. It was only a minute or two later
that I realised that he had called me on the precise spot,
to within a metre, where, in August 1996, I got the news
(on an old fashioned pager) from my agent that a publisher
wanted to commission the first edition of this book.
Minutes later, while I was queuing for
coffee, I received an email on my iPhone from an important
contact with whom I was working on a business deal. I replied
that I was on holiday this week in Devon. It turned out
that he had been on the same little-known beach the previous
week. It was a small but curious coincidence, since Ben
and I had been so deeply embroiled in negotiations over
the previous few weeks.
That evening, however, something far
more bizarre happened. My youngest daughter, Eleanor, called
from home in a state of excitement. She had been reading
on a commuter train in London a movie comedy script written
by my son, David, who now works in the film industry.
He had spent three years writing the screenplay and was
now in the process of looking for a producer. Ellie was
giggling as she read, and a middle aged American sitting
next to her asked her if she was enjoying the script. She
explained that, yes, she was, and that it was by her brother.
The man said he would love to read it if she, a 19 year-old,
liked it, and asked if David could send it to him. It turned
out that he was a well-known movie producer. His card bore
the name of his company – 111 Pictures, whose address
was 1t Floor, 111 Wardour Street in London.
Apart from the fact that meeting a movie producer
on a train when you happen to be trying to find one is the
kind of thing that only really happens in movies, David
and Ellie, remembering Uri’s fascination with the
number 1111, were fascinated by the forest of 1s involved
in the producer’s card. Things got weirder the next
day, but in the meanwhile, the Uri-style coincidences continued
to crowd in. In the evening, I received an email from an
old contact whom I hadn’t heard from for ten years;
I had thought about him while we were at the beach during
the day. Also while at the beach, my wife, Sue, had wondered
what was happening about a movie that was possibly going
to be made by Disney in Hollywood based on an old novel
of hers. She had not heard from the producer in months;
the producer emailed her the same evening with some positive
news. While having dinner with friends that night, they
selected some music on our sound system; it was a selection
by the 1980s indie band Prefab Sprout. Two remarkable things
emerged from this selection. They are difficult and too
personal to explain in detail, but they involved the lyrics
of two successive songs which I had not heard in 20 years,
but were both directly and meaningfully – shockingly,
to be honest - related to things happening in my private
life at that moment.
The next day, less than 24 hours since this
run of odd coincidences had started, we were on our way
to another beach on a narrow country lane when we saw approaching
us, impossibly large for the road, a double decker bus.
I was wondering how we were going to deal with such a huge
vehicle on a narrow lane and preparing to reverse into a
farm road when I noticed the bus’s number; it was
a 111 bound for Plymouth. I said to Sue that we should make
a note of the time, because I wouldn’t be surprised
if David is mailing his screenplay around now to 111 Wardour
Street. When we got to the beach, we called David and asked
what he was doing at 12.46; he replied that he was hand
delivering the script to 111 Wardour Street. We later discovered,
by the way, that the 111 bus to Plymouth does not normally
go down the lane on which we encountered it; it had been
diverted because of a traffic accident.
It was almost too much to take in, this
intense burst of craziness, but I tried to rationalise it.
I was aware after all these years that the number of spooky
coincidences that fail to happen vastly exceeds
the number that that actually do happen and that consequently,
coincidences are not as significant as the likes of the
psychologist Jung believed. But eight of these startling
chance happenings in such a short burst was still, as Uri
would say, mind-blowing.
So what, after all this, do I now think of
the Geller phenomenon? Well, I agree more than ever with
the idea of William Tiller, professor emeritus of Materials
Science and Engineering at Stanford University, who believes
Uri absorbs energy unconsciously given by others and transforms
it, also by an unknown, unexplained mechanism, into kinetic
energy
If this idea turns out to be false or mistaken,
and even if it has truth, then I still think hypnosis or
some other form of mind control has a large part in Uri’s
abilities. If this is the case, however, I have to wonder
again, how did he learn such a sophisticated psychological
technique as a little boy from a poor family? Surely an
ability to hypnotise can’t be inherited? It is a great
shame, I now feel, that we do not know more about Uri’s
father.
Of the peculiar events that have happened
to me and to my family, even 13 years on, the incident with
my elder daughter Ruth and the Dani Lane chair that I related
in Chapter 4 still stands as the strangest single thing
that I have seen Uri do
Overall, the idea that somebody who has been
using just four magical-style effects so successfully for
nearly 60 years continues to defy logic for me. It is beyond
me, if we accept for a moment that Uri is one of the world’s
most notorious fakers, that such a man would not have re-invented
himself – and done so repeatedly – by perfecting
a few new tricks. If he had managed to learn his four trademark
effects to such a cosmic standard, what possible reason
would there have been for him not to have then learned more?
Had he done so, he would by now be bigger and more respected
than Copperfield and Angel, Blaine and Derren Brown put
together.
I have also thought newly that because
Uri is not particularly scholarly in academic terms –
despite having now written 17 books - he simply isn’t
the type, when all else is considered, to have learned magic
tricks. I have looked in quite some detail lately at how
magicians’ tricks are done, and they take great technical
expertise and patience. Uri confided to me in 2008 that
he has finally bought his first ever magic text book - a
copy of the 1958 volume, ‘Thirteen Steps to Mentalism’
by Tony Corinda. This was, of course, the very book he was
accused by magicians of having studied back in the 1960s,
when his fame was first beginning to spread in Israel. “I
just had to get the book to understand the sophistication
I was accused of using, but I doubt that I will ever read
it” Uri concluded.
As things stand in 2008, I do not believe
Uri possesses either the patience or the temperament for
magic. I may develop my personal view on this more in another
ten years, or I may come across some great piece of evidence
to contradict it, but for the moment, this will be my own
verdict on Uri Geller. He was a mystery 40 years ago; he
was a mystery ten years ago. And today, he remains, when
all is said and done, a mystery. Which is, interestingly
enough, exactly how he wants it to be. To that extent if
to no other, Uri has successfully bent my mind and those
of billions of other people.
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